Archive for May, 2011

Machines of Loving Grace

Wednesday, May 18th, 2011

One of Chris Morris’s friends remarked that he only really got to understand fundamentalism through Four Lions. This same friend was moved to invest in the film’s early stages and act as its enthusiastic proselytiser.

For him Morris’s film stood above the investigative work of Jason Burke and the playful deconstructions of Adam Curtis. A bold claim indeed.

Four Lions was, he insisted, as deeply insightful as anything they did and it was also easy to follow – not an accusation that could be levelled at Burke’s ‘Al-Qaeda‘, comprehensive and brave though it is.

Adam Curtis is an altogether pacier proposition. His films are challenging but entertaining. The news that he  is about to unleash a new and doubtless mind-twisting series is very welcome. Its trailer suggests his trademark is much in evidence – complex and provocative ideas showcased in a mash of comic archive footage and eclectic music.

This time he is All Watched Over By Machines of Loving Grace. The documentaries will look at how the computerised society we hoped would free us to become inventive individuals has actually enslaved us.

It starts on BBC2 on Monday 23 May at 9pm

Curtis’s other fine work includes his take on the way that Islamic fundamentalism and the West’s Neocons developed at the same time, The Power of Nightmares. It’s a revealing series, not frightened to be smart and also very funny. Curtis has a neat sideline of irreverence for the media he works in which may well have come from an apprenticeship served under Esther Rantzen on That’s Life.

Old Woman Killed by Little Glass Planet

Wednesday, May 4th, 2011

I’m back after holidays. While away I heard Mark Thomas discussing his new book ‘Extreme Rambling’.

He’s incorrigibly lefty in a way which would be quite fearsome in the ’80s but is now almost endearing.

His style was at home on Radio 4’s Saturday Live alongside a former Guantanamo Bay guard who became friends with his prisoners. Interviewer – and former Communard – Richard Coles was naggingly persistent but unfailingly gentle. None of which heart-on-sleeveness would probably endear the show to Chris Morris.

Mark Thomas has long used comedy as part of his restlessly inquisitive campaigning style and  Morris reportedly dismissed him in conversation with Michael Moore with, ‘Mark Thomas [who] also goes around and bullies receptionists.’

That was way back in 1999. But even if Morris’s opinion hasn’t changed in the intervening years, Thomas has developed a persuasive style of exploring often complex and emotive themes. If you don’t mind his political position being displayed like a large flashing red light he’ll take you a surprisingly long way along his road with him.